You went to the show. You shot way too much. Now you want one Story that does it justice. EncoreShot's AI watches every photo and video, picks the best, and gets them Instagram-ready — before the crowd leaves the venue.
I'll tell you the moment it's ready. No spam.
Early access · your photos stay in the EU · built by a fan
From drop to done — no editing software, no scrubbing through hundreds of photos and videos at 2am.
Every photo and video from the show — hundreds of files, zero sorting. The grid fills as fast as you drop, and the AI starts watching the moment they land.
Not a number — a real read. Energy, stage lighting, composition, motion, technical — scored the way a photographer who was there would, with a one-line reason and the song it caught. Stage light counts as style, not a mistake.
Faces in focus, the crowd's hands frame the lower third, and the colored wash separates her from the back line. Slight motion blur reads as energy, not a flaw.
🎵 Tití Me Preguntó · setlist match 94%Keep what's worth it, then export Instagram-ready — Stories, Reels, Post. Landscape shots get the blurred background automatically; pick a look and see exactly how it lands before you post.
The whole set, framed exactly how you left it, in your folder before the encore's cold. Hundreds of photos and videos in; the handful that go off out.
Generic photo apps choke on concert shots. EncoreShot is the only one that treats live music as its own thing.
Generic AI reads stage light as "bad exposure." Ours re-weights for energy, lighting, motion, and the peak moment.
It scores your videos and even identifies the song playing — the only one that handles a whole night of video, not just photos.
The posting window is 2–4 hours. The whole tool exists to beat it, while the crowd's still talking.
Every shot it picks comes with a one-line reason — "faces in focus, crowd going off" — not a clinical metric.
Frame each shot once and export it for Stories, Reels, Square and Portrait — the right crop for every placement, in a tap.
Blurred backgrounds and zero black bars, handled automatically.
“I shoot four or five shows a month. The footage is great — there's just way too much of it to sort by hand.”
— Antwan, founder
Five shows a month, hundreds of photos and videos each — all worth a look, which is exactly the problem. Sorting them by hand ate the whole next day, every time. So I built the thing I wanted: a first pass that judges shots the way I would — concert-aware, fast, on my side. This is an early build; I'm letting in the first people who get it.
Drop your email — I'll tell you the moment it's ready. Nothing else.
No spam. One email when we launch.